As of 1869, and throughout the entire period during which he wrote the essay “On the Uses and Disadvantages of History for Life”, published in 1874, Nietzsche was a classical philology professor at the University of Basel. During this period, he reflected critically on theoretical and methodological questions in his field, emphasizing that if the study of Antiquity is to be linked to the analysis and critique of the sources, it loses, through this, contact with its own time, becoming knowledge (...) that is out-of-touch with the fundamental questions of its time. Nietzsche proposes establishing a different relationship with the past than that of the modern scientist: whereas the latter sees history from the perspective purely of knowledge, the professor from the University of Basel seeks a model in the past that is able to instigate reflection on the present, establishing a confrontation between distinct cultures, with different sets of values, so as to create some distance with the thought processes that are crystallized in modern times. This article intends to show how Nietzsche, from his notions of unhistory and supra-history, sought to investigate the value of history, contrasting the concept of the past as pure knowledge with a concept linked to life and action, that is able to generate the future. (shrink)

This article aims to reflect on the genesis of The Birth of Tragedy based on Nietzsche's readings of Lectures on Fine Art and Literatur and Lectures on Dramatic Art by August Schlegel. Such readings, begun during his studies in Pforta, span his first years lecturing in Basel until they ultimately took shape in Nietzsche's first work. The goal is to analyze this trek of readings, in order to encover the development process of Nietzsche's thinking regarding the central issues of his (...) first work, such as the Apollonian and Dionysian, epic poetry and dramatic poetry. (shrink)

Em 1869, ano de início de sua atividade como professor na Universidade da Basiléia, Nietzsche desenvolve em inúmeros cursos e conferências uma reflexão sobre a experiência musical e poética, na qual enfatiza a união da palavra e da música na sensibilidade grega e sua separação na sensibilidade moderna. Esse tema será retomado nos anos seguintes, durante a redação de O nascimento da tragédia, seja na reflexão sobre a arte grega, seja na crítica à ópera moderna, dando lugar a uma investigação (...) sobre a diferença de natureza entre os domínios sonoro e linguístico, aos quais correspondem formas distintas de experimentar a arte. Pretendo, neste trabalho, mostrar como a rede de relações tecida por Nietzsche entre música e palavra permite elucidar não apenas a especificidade da música como arte, mas também a singularidade da experiência estética que ela torna possível. (shrink)

Este artigo tem como objetivo examinar o papel singular da música na reflexão de Nitzsche sobre o processo de criação poética, e analisar os efeitos de sua leitura da correspondência entre goethe e Schiller na elaboração dessa reflexão. Pretende-se mostrar, em seguida, como a análise da criação poética está associada a uma reflexão mais ampla sobre o pensamento e a linguagem.